Music genres can be intimidating. It’s easy to stick to what you know and what’s comfortable. That’s completely okay, but it can be both fun and rewarding to explore new genres. So, “where do I start?” you may be asking.
Don’t fret! In this Genre Guide series, I will provide detailed recommendations and jumping-off-points for a variety of music genres, so that you know where to start your listening journey. Whether you’re brand new, or a long-term enjoyer, I hope to provide a variety of quality album picks that are both relevant and accessible for you!
For Vol. 1, I’m covering one of my favorite genres: Contemporary Folk. This genre developed out of the American Folk Music Revival of the mid-20th century and reached the height of cultural relevance in the early ‘60s. It helped set the stage for many future developments of folk, rock, and singer-songwriter music that would explode in the late ‘60s and early ‘70s. The genre itself can take on a variety of sounds, but is built primarily off of traditional folk music, centered around individual performers, the acoustic guitar, and simple chord progressions.
I’ve selected three essential albums that showcase various ways of entry into the genre. The first album is generally what I consider to be the most essential starter album for a beginner. Never even heard of contemporary folk? Start here! My first selection will often be an important, well-known, and highly acclaimed record that is accessible enough for any newbie. My second pick is a deeper essential, one that I think any fan must hear if they consider themselves an enjoyer of the genre. And finally, my third pick is a wildcard! It can be a personal favorite of mine, a more unique spin on the genre, a niche or underappreciated selection, or just another essential record. With that being said, let’s dive in.
The Times They Are A-Changin’ – Bob Dylan
Bob Dylan is by all means one of the most important artists in the history of music, and as a folk artist he is absolutely formative for the genre. The Times They Are A-Changin’, Dylan’s followup to his breakout sophomore record The Freewheelin Bob Dylan, expresses his most deeply serious, political, and profound ideas, perhaps of his entire career.
The iconic opening title-track embodies the deeply important nature of the entire album in the context of the tumultuous 1960s cultural climate. Dylan moves through many themes of societal change, racial politics, and religion throughout the album, but always leaves room for quieter, more intimate ballads. “One Too Many Mornings” and “Boots of Spanish Leather,” are, in my opinion, two of Dylan’s most touching and beautiful songs, which is saying a lot for an artist with such a grand catalogue.
Dylan’s raspy vocals can be off-putting for some listeners at first; but, with time, they bring a unique charm to his guitarwork that elevates his music above just a showcase of lyrical prowess. On tracks like “Ballad of Hollis-Brown,” which tells the story of a farmer in South Dakota who murders his entire family, Dylan’s worn, rough vocals serve the narrative of the song perfectly.
What Dylan really showcases on this record, in particular, is his forward-thinking ideas that would come to form contemporary folk indefinitely. He expands on the traditional elements of his previous album, and brings a starkly contemporary flavor to his musical framework, with thematic depth and melodic nuance that bring a timeless appeal. No longer was folk a remnant of the past. With the release of The Times They are A-Changin’, folk music became the embodiment of the modern experience.
Dylan’s unmatched lyricism and effortlessly-moving melodies make for a standout contemporary folk record. With themes that everyone can relate to, deep historical significance, and outstanding artistry, it’s hard to deny the appeal of The Times They are A-Changin’. While there are certainly artists I could have chosen with more of a general appeal, especially as an introduction to the genre, there is just something so rewarding about Dylan’s music. He always leaves me with something to return to and something to chew on. He is a master, a legend, a pioneer, and I take it as my responsibility to pass his majesty onto all that I can. Listen to Bob Dylan, really listen, and you will not regret it.
If you had to hear one song: One Too Many Mornings
Blue – Joni Mitchell
Joni Mitchell’s beloved 4th release, Blue, is as quintessential as it gets when it comes to folk. I could have picked a more unorthodox record for this spot, but I found it too difficult to leave out such a masterful work. Perhaps what makes any great folk record stand out, above great guitarwork and vocals (which this record is full of), is personality. Mitchell brings an immediate personal aura to each song of this album as she expresses her raw emotion through pensive poetics and a stunning vocal display.
On a track to track level, the record is nothing short of perfection. Endlessly catchy tunes like “Carey” and “California” bring a sharp, tangible pop to the record, while gorgeous ballads like “River” convey an intimacy and a passion that is undeniably moving (with piano that is nothing short of breathtaking). On my first listen, I was blown away by how tightly crafted and emotionally resonant this entire record was from start to finish. It helps that the production just sounds crisp, especially the signature Appalachian dulcimer sound heard throughout the record, acting as quite a unique companion to Joni’s vocals.
Like Dylan before her, Joni Mitchell pushes the envelope of the contemporary folk genre. On songs like “Blue,” the title-track, Joni shows off her singer-songwriter talent. Throughout the entire record, there is always a compelling sense of variety from track to track, each showing off a different, but equally interesting, side of the artist. Even so, there is still an impressive cohesion throughout the entire work. There are many albums that aspire simply to be a collection of songs, but Blue is far from that, it is truly a full and realized piece of art.
It’s hard not to love this record. Joni Mitchell is one of the finest singer-songwriters to ever do it, and she doesn’t get enough credit for her consistency, style, and musical ability. If you haven’t heard Blue, do yourself a favor and give it a try.
If you had to hear one song: A Case of You
Pink Moon – Nick Drake
A more than obvious pick but a definitive classic, Nick Drake’s third and final album Pink Moon has ascended to beloved and legendary status as of late. Unfortunately, the love for Drake and his work came far past his untimely death in 1974, just two years after the release of this iconic album. It goes without saying that the short life of such an incredible artist, and this final record that he left us, is something to be forever cherished.
At just under 29 minutes, Pink Moon feels small. Compared to Drake’s earlier output, which leaned more heavily into orchestral accompaniment, Pink Moon is notably stripped back, softer, and cozier. Drake’s guitarwork and soothing vocals feel impressively ahead-of-their-time, and bring a uniquely melancholic feel to the entire LP. Due to this quality, I wasn’t as initially connected to this record as I was with Drake’s Bryter Layter. But as time passed I felt myself returning constantly to songs like “Which Will,” “Place to Be,” and especially the opening title-track.
The sound of this album, from its odd interludes and bizarre cover-art, to the name itself, create an otherworldly tone throughout. It’s this unique feeling which, in the context of Drake’s mental health struggle and impending death, gives the record a hauntingly timeless appeal. Even so, the raw, yet gentle production is undeniably comforting, with Drake’s notably timid and soft voice to carry his elegant melodies.
At such a short runtime, and in the midst of cold autumn weather, there’s no better album to listen to while staring out your window at the gloomy clouds above. A transportative, though bleak masterpiece from a brilliant mind who left us too soon. Pink Moon is special, and has come to define what I love so much about contemporary folk music — the pure expression, the charm, the intimacy. It’s all here, give it a listen!
If you had to hear one song: Place to Be
